Date: 2010-09-23 09:04 pm (UTC)
themidnightson: "That's Edward Cullen." (Default)
He see's her coming.

Even while the men are still talking in front of him as though they are talking over him. While he can see how their motives match and contrast, conflict with their goals in this conversation and their future professional aims, and isn't really caring about either. Their motives or the men.

It's hard not to see her when he's privy to her continual view of only him, increasingly closer by location and only on garnering his attention -- or should he choose the word 'adoration' -- through some form of social manipulation he also doesn't care for.

He has to stand there when she runs into him, swaying a slightly degree more toward almost a sidestep to make sure she doesn't actually run herself into him. It'd be noticable to run into a body likened to marble.

His gaze is calculating nuetral, when the men pause, automatically swinging their thoughts in a rather disgusting direction for the graceless girl, especially certain features of her form, and all Edward himself manages, "You should watch where you're going."

It's lacking contempt, but the same might not be said of his rose-amber eyes.
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themidnightson: "That's Edward Cullen." (Default)
Edward Cullen

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